The opening the “Cradles of Hope” centre in Lviv is another Victor Pinchuk Foundation’s step in implementing the cognominal project to establish a nation-wide network of neonatal centres aiming at reducing the infant mortality rate in Ukraine.
The exhibition attempts to highlight the specificity of the Ukrainian art context, which, having inherited outstanding contradictions of the Soviet experience, simultaneously seeks to inscribe itself, if somewhat artificially, into preexisting West European narratives.
