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PinchukArtCentre: Photogallery

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Fragile State exhibition

Photos below are open for usage by mass media. To download a high res photo, click a preview, then click a link «Save in high resolution» in window's lower right corner. When using photos, please, note copyright information. Photographs provided by the PinchukArtCentre © 2017. Photographed by Sergey Illin.

Marina Abramović. Generator, 2014/2017. Public Participatory Experience
Marina Abramović. Generator, 2014/2017. Public Participatory Experience
Marina Abramović. Generator, 2014/2017. Public Participatory Experience
Marina Abramović. Generator, 2014/2017. Public Participatory Experience
Marina Abramović. Generator, 2014/2017. Public Participatory Experience
Marina Abramović. Generator, 2014/2017. Public Participatory Experience
Ai Weiwei. Dropping a Han Dynasty Urn, 2016. LEGO bricks. Courtesy of Ai Weiwei Studio
Urs Fischer. Chair for a Ghost: Urs, 2003. Sand–cast aluminum, paint, varnish, wire. Courtesy Ringier. Collection, Switzerland
Oscar Murillo. Frequencies, in 28 parts (China, Azerbaijan, South Africa, Lebanon, Kenya, India, Singapore, Indonesia, Nepal, USA, Zambia, Japan, Turkey), 2013 – ongoing
Oscar Murillo. Frequencies, in 28 parts (China, Azerbaijan, South Africa, Lebanon, Kenya, India, Singapore, Indonesia, Nepal, USA, Zambia, Japan, Turkey), 2013 – ongoing
Santiago Sierra. Veterans of war facing the corner, 2017
Santiago Sierra. Veterans of war facing the corner, 2017
Santiago Sierra. Burned Word, July 2012. El Cabanyal, Valencia, Spain
Barthélémy Toguo. Overcome the Virus!, 2016. Porcelain Vases, 3D prints. Courtesy Galerie Lelong, Paris and Bandjoun Station, Cameroon
Douglas Gordon. The End of Civilisation, 2012. 3 Screen Video Installation with sound, 118 min
Damien Hirst. Here Today, Gone Tomorrow, 2008. Glass, stainless steel, fish, fish skeletons, acrylic, MDF, paint, formaldehyde solution
Damien Hirst. Here Today, Gone Tomorrow, 2008. Glass, stainless steel, fish, fish skeletons, acrylic, MDF, paint, formaldehyde solution
Urs Fischer. Untitled, 2011. Paraffin wax mixture, pigment, steel, wicks. Private collection. Courtesy of the artist
Urs Fischer. Untitled, 2011. Paraffin wax mixture, pigment, steel, wicks. Private collection. Courtesy of the artist
Urs Fischer. Untitled, 2011. Paraffin wax mixture, pigment, steel, wicks. Private collection. Courtesy of the artist
Jan Fabre. Skull with Turtle, 2017. Murano Glass, Skeleton, Bic Ink, Stainless Steel. Courtesy of the artist
Jan Fabre. Skull with Turtle, 2017. Murano Glass, Skeleton, Bic Ink, Stainless Steel. Courtesy of the artist
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Video

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15.06.2015

TV-report about “Borderline. Ukrainian Art 1985–2004” and “Mute” exhibitions, ICTV

15.06.2015

TV-report about “Borderline. Ukrainian Art 1985–2004” and “Mute” exhibitions, Euronews

14.05.2015

TV-report about Ukrainian national pavilion at the 56th International Art Exhibition – la Biennale di Venezia, ICTV, Fakty

14.05.2015

TV-report about Ukrainian national pavilion at the 56th International Art Exhibition – la Biennale di Venezia, ICTV

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News

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PinchukArtCentre’s Research Platform Presents Two New Exhibitions: “Anonymous Society” and “Misplaced Touches” by Anna Zvyagintseva

27.10.2017

The Research Platform of the PinchukArtCentre presents two exhibitions “Anonymous Society” and“Misplaced Touches” by Anna Zvyagintseva. With the aim to generate a living archive of Ukrainian contemporary art from the early 80ties till present, Research Platform visualizes the results of its work through constant exhibition practice.

PinchukArtCentre Announces 20 Nominees for the PinchukArtCentre Prize 2018

07.09.2017

The shortlist has been formed by the Selection Committee based on the results of the selection from more than 650 applications submitted by young Ukrainian artist from all regions of Ukraine and foreign countries.

Marina Abramovic to Give Public Lecture at the Invitation of the Victor Pinchuk Foundation

05.09.2017

Marina Abramovic will give a public lecture “Artist Body / Public Body” at the invitation of the Victor Pinchuk Foundation

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Created and supported by: «Art Depo» Creative Agency