PinchukArtCentre: Photogallery

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16.02.2013 - Exhibitions of Jake & Dinos Chapman, Tony Oursler, Alexey Salmanov and Collection Platform at the PinchukArtCentre

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Victor Pinchuk Foundation © 2013. Photographed by Sergey Illin


Brothers Dinos and Jake Chapman, The Sum of Аll Evil, 2012–2013. Fibreglass, plastic and mixed media. Courtesy of the Artists and White Cube
Brothers Dinos and Jake Chapman, Shitrospective, 2009 Cardboard, paste board, newspaper, wood, polystyrene, glue and poster paint. Courtesy of the Artists and White Cube
Brothers Dinos and Jake Chapman, Sex I, 2003. Painted bronze. Courtesy of the Artists and Olbricht Collection
Tony Oursler, Open Obscura, 1996–2013. Video projection, foam, resin, fiberglass, acrylic, sound. Courtesy the Artist
Juergen Teller, Kiev, 2007
Installation view in the PinchukrtCentre
“Forest Means Cheaper” by Alexey Salmanov
Tony Oursler, Iced, 2013. Video projection, mixed media, sound. Courtesy the Artist
Tony Oursler, Caricatures, 2003–2005. Video projection, foam, resin, fiberglass, acrylic, sound. Courtesy the Artist
Tony Oursler, Aitia, 2013 Video projection, mixed media, sound Courtesy the Artist
Brothers Dinos and Jake Chapman, Bronze sculptures from The Chapman Family Collection. Courtesy of the Artists and White Cube
“Forest Means Cheaper” by Alexey Salmanov
“Forest Means Cheaper” by Alexey Salmanov
Alexey Salmanov, artist
Tony Oursler, artist
Brothers Dinos and Jake Chapman, artists
Tony Oursler, Tripple Hex # 000000, 2013. 2 LCD screens, MDF, vinyl paint, varnish. Courtesy the Artist
“Forest Means Cheaper” by Alexey Salmanov
Brothers Dinos and Jake Chapman, From the Blackened Beyond, 2011. Francisco de Goya’s Disasters of War Portfolio of 80 etchings reworked and improved. Courtesy the Artists and ARARIO Inc.
Brothers Dinos and Jake Chapman, From the Blackened Beyond, 2011. Francisco de Goya’s Disasters of War Portfolio of 80 etchings reworked and improved. Courtesy the Artists and ARARIO Inc.
Installation view in the PinchukrtCentre
Carsten Höller, Moving image, 1994–2005, and Martin Kobe, Untitled, 2007
Thomas Ruff, Jpeg bb01. Bahdad Bombing, 2004, and Andreas Gursky, Dubai World I, 2007
Damien Hirst, Resurrection, 1998–2003 and Never Gonna See You Again, 2008
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Video

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15.06.2015

TV-report about “Borderline. Ukrainian Art 1985–2004” and “Mute” exhibitions, ICTV

15.06.2015

TV-report about “Borderline. Ukrainian Art 1985–2004” and “Mute” exhibitions, Euronews

14.05.2015

TV-report about Ukrainian national pavilion at the 56th International Art Exhibition – la Biennale di Venezia, ICTV, Fakty

14.05.2015

TV-report about Ukrainian national pavilion at the 56th International Art Exhibition – la Biennale di Venezia, ICTV

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News

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PinchukArtCentre Announces 20 Nominees for the PinchukArtCentre Prize 2020

18.07.2019

PinchukArtCentre has announced 20 artists nominated for the 6th edition of the PinchukArtCentre Prize, a nationwide prize in contemporary art for young Ukrainian artists up to 35.

PinchukArtCentre Presents “The Forbidden Image”

26.06.2019

The PinchukArtCentre (Kyiv, Ukraine) presents “The Forbidden Image”,a two-chapter project in the framework of the PinchukArtCentre’s Research Platform. The first chapter presents a solo exhibition by Boris Mikhailov, while the second entitled “Crossing Lines” is dedicated to the Kharkiv School of Photography and the continuation of its attitude and thinking with emerging artists.

 

PinchukArtCentre’s Research Platform presents book 
“Why There are Great Female Artists in Ukrainian Art”

24.05.2019

On Saturday, 25 May, the PinchukArtCentre’s Research Platform will present book “Why There are Great Female Artists in Ukrainian Art”. The publication is one of the first attempts to tell the history of Ukrainian art through the gender optics, starting from late 19th to artistic explorations of the early 21st century.

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Created and supported by: «Art Depo» Creative Agency